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(hyper/meta/psychogeo/situo)graphy

心理地理学 psychoenzvimbo مريض نفسياجغرافي психогеография 心理地理 نفسیاتیجغرافیائی मानसिकभौगोलिक psychojuqraafi

Springtime for Heidegger and Philosophy – Winter for Reason and Sense

 

Across the world, Heideggerism has been adapted to local needs such as Alexander Dugin’s Eurasianism or even the strange hybrid of Theocratic-National-Bolshevism which came to power in Iran as Political Islam. However in England it has taken the form of Bourgeois-Christian Heideggerism. This English version may not be the most dangerous manifestation, however it is that which we most directly encounter here. Theresa May has become intoxicated with the “Führer-prinzip”, publicly day-dreaming of a world dominated by a new Anglo-American alliance. Obnoxious as this may be, the American president, at whose heels she snaps, will trump any new miseries she is able to foist upon us. This new form of English Heideggerism is not really philosophical – rather it is German philosophy wrapped in the demagoguery of French politics and finally marketed with the English economic zeal: that of a nation of shop-keepers. So much for “British values”. Despite its anti-intellectualism it is still rooted in existential angst. “Language is language” Heidegger mooted in one of his more “profound” moments. “Brexit means Brexit” echoes the Prime Minister.

https://springtimeforheidegger.wordpress.com

 

May Day يوم العمال العالمي يوم العمل 劳动节、国际示威游行日 称五 Праздник Весны и Труда Монстрация Monstration or monster-action: demons-action الوحش العمل الشياطين الجر 怪物动作 恶魔牵引力 राक्षस कार्रवाई राक्षस कर्षण مونسٹر کارروائی شیطان کرشن

 

 

31st April: Unfools Day

Preparation of banners, slogans, songs, clothing
Using:

1. Writing: in different languages, mixed and overlaid
2. Asemic writing:
3. Super writing: metagraphy: cut n paste, detourned, copied, stolen images, texts, sounds, architecture and street furniture
4. Post writing: hypergraphics: letters in different languages, symbols, made up letters
5. Representational pictures and sounds
6. Abstract marks and sounds

四月三十一日:愚人节

准备横幅,口号,歌曲,服装
使用:

写作:用不同的语言,混合和重叠
亚历克斯写作:
超级写作:段落:剪贴,歪曲,复制,被盗图像,文字,声音,建筑和街道家具
4.写作:超图:不同语言的字母,符号,组成的字母
表示图片和声音
抽象标记和声音

 

31 апреля: День дурака

Подготовка баннеров, слоганов, песен, одежды
С помощью:

1. Письмо: на разных языках, смешанное и наложенное
2. Асемическое письмо:
3. Суперпись: metagraphy: cut n paste, перечеркнутые, скопированные, украденные изображения, тексты, звуки, архитектура и уличная мебель
4. Почтовое письмо: гиперграфика: буквы на разных языках, символы, составленные буквы
5. Репрезентативные изображения и звуки
6. Абстрактные знаки и звуки

31 أبريل: يوم القمامة

إعداد لافتات وشعارات وأغاني وملابس
استخدام:

1. الكتابة: في لغات مختلفة، مختلطة ومضاف
2. الكتابة الأسيمية:
3. سوبر الكتابة: ميتاغرافي: قص ن لصق، وفتت، نسخ، سرقت الصور والنصوص والأصوات والهندسة المعمارية وأثاث الشوارع
4. الكتابة بعد: هيبيرغرافيكس: الحروف في لغات مختلفة، والرموز، تتكون الحروف
5. الصور والأصوات التمثيلية
6. علامات مجردة والأصوات

 

1st May: Mayday

Monstrations originate in Russia is a public performance similar to a demonstration, but intended as creative performance art, often parodying a serious demonstration. The term was invented by Russian art activists to go into the streets and to show all the absurdity of the legitimated protest demonstrations such as the official Mayday parades.

Monstratsiya, monstration (from Latin monstrare – to show, demonstrate) – in the Catholic Church a variety of the monstrosity, intended for adoration – the non-liturgical veneration of the Holy Gifts consecrated during the Eucharist. Also used in Anglicanism and Lutheranism

Монстра́нция, монстрация (от лат. monstrare — показывать, демонстрировать) — в Католической церкви разновидность дароносицы, предназначенная для адорации— внелитургического почитания Святых Даров, освящённых в ходе Евхаристии. Также используется в англиканстве и лютеранстве

在天主教教会那种圣体匣,专为 – 圣体的崇拜,圣体圣事中奉献。在英国国教和路德教同时使用

في هذا النوع من الكنيسة الكاثوليكية وعاء القربان المقدس، والمصممة ل- التبجيل من القربان المقدس، كرس خلال القربان المقدس. تستخدم أيضا في الأنغليكانية واللوثرية

However we have developed the monstration away from the absurdism and towards focused revolutionary activity. The use of language in slogans and banners was the first focus – the psychic: using different languages: dress and chants and slogans visual and aural languages – but also languages of touch, smell, feeling, taste
. Subsequently, also clothing, touch, sound, taste, political orientation have all been explored as the physical and psychic terrains of the monstration. in this way the monstration can be seen as a constructed situation that can intervene in existing institutional and public situations.

we are not satirising mayday march – nor are we a bloc. We are the psychic workers obschina to the general union

1 مايو: ماي ​​داي

الشواهد تنشأ في روسيا هو الأداء العام مماثلة لمظاهرة، ولكن المقصود ك فن الأداء الإبداعي، وغالبا ما محاكاة ساخرة مظاهرة خطيرة. تم اختراع هذا المصطلح من قبل نشطاء الفن الروسي للذهاب إلى الشوارع وإظهار كل سخافة المظاهرات الاحتجاجية المشروعة مثل مسيرات مايدي الرسمية.

ومع ذلك وضعنا قد وضعت وحوش بعيدا عن العبث ونحو النشاط الثوري تركز. وكان استخدام اللغة في الشعارات واللافتات التركيز الأول – نفسية: باستخدام لغات مختلفة: اللباس والهتافات والشعارات لغات بصرية وسمعية – ولكن أيضا لغات اللمس والرائحة والشعور والذوق
. وفي وقت لاحق، كما تم استكشاف كل الملابس والملمس والصوت والطعم والتوجه السياسي كما التضاريس الجسدية والنفسية للحوش. وبهذه الطريقة يمكن النظر إلى الوحوش على أنها حالة شيدت يمكن أن تتدخل في الأوضاع المؤسسية والعامة القائمة.

نحن لسنا مذيعين مسيرة – ولا نحن كتلة. نحن العمال نفسية أوبششينا إلى الاتحاد العام

 

1 мая: Mayday

Монстрации, происходящие в России, являются публичным выступлением, подобным демонстрации, но предназначенным как творческое искусство исполнения, часто пародируя серьезную демонстрацию. Этот термин был изобретен российскими арт-активистами, чтобы выйти на улицы и продемонстрировать всю абсурдность легитимных демонстраций протеста, таких как официальные парады в Mayday.

Тем не менее мы развили уклонение от абсурдизма и к сосредоточенной революционной деятельности. Использование языка в лозунгах и баннерах стало первым фокусом – экстрасенсом: использование разных языков: одежды, песнопений и лозунгов визуальных и слуховых языков, – а также языков осязания, обоняния, чувства, вкуса
. Впоследствии, также одежда, осязание, звук, вкус, политическая ориентация были исследованы как физическое и психическое пространство монстра. Таким образом, монстрацию можно рассматривать как сконструированную ситуацию, которая может вмешиваться в существующие институциональные и общественные ситуации.

Мы не сатиризируем майдайский марш – и не являемся нами блоком. Мы – психические работники община общего союза

5月1日:五月天

来源于俄罗斯的公开表演是类似于示威的公开表演,但是作为创意表演艺术,往往是模仿严肃示威。这一术语是由俄罗斯艺术活动家发明的,可以进入街头,并展示合法抗议示威的所有荒谬行为,如五月天的官方游行。

然而,我们已经发展出了远离荒谬主义和集中革命活动的观念。口号和横幅中使用语言是第一个重点 – 心理学:使用不同的语言:礼服和颂歌和口号的视觉和听觉语言 – 还有触摸,嗅觉,感觉,味觉的语言
。随后,衣服,触感,声音,品味,政治导向都被探索为身体和心灵的地形。这样可以看作是可以干预现有制度和公共情况的构建状况。

我们不是在逢星期三进行 – 我们也不是一个集团。我们是普通工会的精神工作者

生育工作,心理工作的,破坏性的工作 超图,心理,心理学,地理学,
造影,间图表,超,图形,元 图形 现场 造影 假 逻辑 脑病 舍米
情况 合一,多种 空间,时间,类

 

 

reproductive work, psychic work, destructive work
hypergraph psycho geography graphy meta graph hyper graph meta graph
situation situ graphic pathical logical phonical chemical linguary
oneness multitude space time class

العمل الإنجابي العمل نفسية العمل المدمر
الخط الطبيعي مريض نفساني جغرافي الرسم البياني ميتا فرط رسم بياني ميتا رسم بياني
الموقع بياني كاذب منطق الم كيميائي حالة
وحدانية كثرة الفضاء مرة الفصل

репродуктивного работа, психическая работа, работа разрушительная
гиперграф психо география графия мета график гипер график мета график
ситуация Ситу графический логический химическая единство множество Время класс пространство

IWW Industrial Union of Psychic Reproductive and Destructive Workers 007/700
Data Miners Travailleuse Psychique МАНИФЕСТ ПРОФСОЮЗА ШАХТЕРОВ ДАННЫХ И ПСИХИЧЕСКИХ РАБОТНИКОВ
우리는 데이터 광부하고 심령 노동자의 노동 조합입니다
اتحاد عمال المناجم العمل البيانات ونفسية العمال
העבודה איגוד כורי נתונים העובדים מדיום
डेटा खनिक और मानसिक श्रमिकों के श्रम संघ]]
Εργατικό Ένωση Εργατών Ορυχείων Δεδομένων και το ψυχικό Εργαζομένων
Travayè Inyon an mineur Done yo ak travayè psychic
データマイナーズと霊魂の労働者の労働組合
我们是数据矿工和灵魂的工人劳工联盟

 

 

Tribute to Comrade Gustav Metzger – IWW 000 Dead and Destructive Reproductive Psychic Workers Union

Report from Art Strike meeting at Dartington, Summer Solstice 2010

Karen Eliot and I had planned to meet in Dartington so we decided to make it an open meeting as that weekend was both the Open Pop Star World Congress called for by Monty Cantsin as well as part of the month of remembrance for the victims of Foxconn such as Ma Xiangqian and Yun Li called by Students & Scholars Against Cooperate Misbehavior.
I was to traverse the so called “St Michaels” Leyline for much of the journey from Cambridge to Dartington. My son and I stopped at Stevenage on the line to pick up his mother and then met another Karen Karnak at Taunton further down the line before arriving at around midnight on Friday. My name Karen Karnak is of course a reference to the great pyramid at Karnak in Egypt and to the Hyperborean nexus at Carnac in France, chosen to disrupt the white supremacist designs of Evolan and Freemasonic groups that use the St. Michaels line. It was for this reason that evoL PsychogeogrAphix was summoned into being in Totnes in 2000 an event that the video Brown Julius in the Fountain of Modernism examines in some detail.

At Dartington, I happened across Gustav Metzger on Saturday and invited him to the meeting. He told me of a symposium where he was speaking as part of the Art Colleges final Festival before being effectively closed. I went along and met Monty Cantsin and Karen Eliot there and we confirmed plans for the meeting for the following day. At the symposium, much of the talking was about the content of the art degree and how it would continue at Falmouth. Gustav however spoke about extinction – which he sees as the most urgent problem facing us – and that we need to get a 5 year plan in place to stop the ever increasing rate of extinction of species. He cautiously suggested also that this is a worse holocaust than the Shoah.
He left the symposium early and we walked over to the graveyard where the meeting was scheduled for the next day. I took the opportunity to clarify some issues. Firstly the arts worker coalition had not been involved in his art strike of 1977 – that was him alone – and it was not podsited as a strike but a withdrawal of labour. He also confirmed that he was involved with 1970 “International Coalition For The Liquidation Of Art” and mentioned that it was John Latham who passed on the invitation for this event although Latham himself wanted nothing to do with it as he was not political. The other main thing of interest was that he noted that the Art Workers Union nearly joined a Graphics workers union and that Gustav was pushing for this but the artists in the end decided against it.

I opened the meeting on Sunday by introducing the brief history of how DAMTP has been formed out of the Art Strike biennial of 2009 via discussions with the IWW. I also spoke on the continuing problems with Eurocentricity (Luther Blissett turning white, San Precario and Bifo’s Europe V2) which was evidenced in emerged in the original 1970 New York Art Strike Against Racism, War and Repression, counteracted at the time by Women Students and Artists for Black Art Liberation (WSABAL), who succeeded in opening the protest action to women and people of colour.
Monty Cantsin questioned the relevance of an art strike today. He posited Latham’s idea of the incidental person as how artists are not specialised as other workers are. While I cannot agree with that position because artists are indeed cultural specialists, i do agree that art strike needs to be superseded with a data miners and psychic workers strike – in concert with other workers strikes to create the general strike. Along with Karen Eliot, 3 other workers decided to join the DAMTP and we agreed that we need to formulate a manifesto or other form of clarification of demands. We also agreed on taking collective action in concert with other workers unions or groups. We invite contribution from you towards this task. Please contact us with any comments. The call for action against extinction is compelling and one linked to cultural / psychic action. We must link up with those cultural workers in other parts of the world who are defending themselves, their land and therefore other species against the destructive force of capitalism.

Capitalists have responded to the increased Proletarianisation of not only the working class but also peasants and sections of the bourgeoisie, by a dual private sector attack via food prices across the “3rd” world and public sector attack via ‘national debt’ reduction in the “1st” world. The response is not simply looking to pre-feudal (primitive communist) tribal forms of organisation but to strengthen our worker based organisation with those physical and psychic workers – paid, unpaid, living, dead and otherwise – to aid those workers in the “4th world” who need organisational support through our actions. The real contribution to human culture made by tribal organisation will be appropriated not through the regionalist villages of the Primitivists but in the context of free activity of humanity in a society without money, classes or states. Similarly the question of Dartington is not just ‘institutional’ but to do with control of the Land – which must be reverted to Labour and not Capital, cultural or otherwise.

We returned the next day via the “Chalice” Well at Glastonbury Tor. We passed the police gathering at Stonehenge later on. The question of unionising the police and army remains an urgent one.

Karen Karnak Summer Solstice 2010 (410)

عرس مبارک काल, पत्र देश URS MUBARAK Rahmat Ali, Cambridge

جمعرات محفل درگاہ رحمت علی چوہدری کیمبرج

This years Urs has been replaced by a extra special Mehfill Jume Raat ritual celebration at the shrine of Rahmat Ali Chaudhry in Cambridge. We will be communing with te Dead Workers Union of Laal Shehbaaz Qalandar after the ISI/ISIS/SIS attack at the Sehwan Sharif shrine in the Sindh in order to attack nationalism and imperialism.

Inqalabi Communist InterNatIonal (ICINI)

All LaBour Industrial uniON (ALBION)

Leave the EU

Leave the UK

Leave NATO

Join DINIA

Down with ISIS ISI SIS

Down with all destructive workers power over reproductive workers.

Towards REproductiVe wOrkers and Labourers indUsTrial unION

More here: http://destroydocumenta.blogspot.co.uk/2016/01/urs-mubarak-rahmat-ali-chaudhry-8pc.html?m=1

Videos of previous Urs rituals here https://m.youtube.com/playlist?list=PLfJYrVbh7DIxyBl1vSOv0Bybn01lOAYNk

5pm to sunset

Thurs 23 Feburary 2017

Cambridge Cemetery,

Newmarket Road

part of : Terminalia – Festival of Psychogeography

http://terminaliafestival.org/

JUHLE LAAL

TAEATEHATEHATEH

فتح تسجيل الدخول / الواقع خلل الإختراق البيان 開放登錄/現實毛刺攻擊宣言 open login / reality glitch hack manifesto открытая Логин / реальность глюк хак манифестом

https://timoteopinto.wordpress.com/open-login-reality-glitch-hack-manifesto%E2%80%8A-%E2%80%8Aby-dum%D0%BF%E5%A7%94-%D8%A7%D9%84%E2%80%8A-%E2%80%8Adadu-miners-%D0%BF%D1%81%D0%B8%D1%85%D0%B8%D1%87%D0%B5%D1%81%D0%BA/

 

فتح تسجيل الدخول / الواقع خلل الإختراق البيان 開放登錄/現實毛刺攻擊宣言 open login / reality glitch hack manifesto открытая Логин / реальность глюк хак манифестом
المستخدمين الكمال البيان perfect users manifesto 完美用戶宣言совершенные пользователи манифестом

by ÐŲMпال – DaðŲ Miners психический 工人委 ال

 

OPEN LOGINS/ MULTIPLE USE NAMES:>>>>>>

 

mail.com email address
email: taeateh [A] asia.com
password: DesaKalaPatra

 

gmail / youtube/ blogger
========================

Email post <A> religious.com
Password unionBastards

facebook
========

latest: https://bblab.space/p/perfectusers or https://bblab.space/p/taeateh

Email charlesjurgis <A> gmail.com
Password manifesto12

Email post <A> religious.com
Password trans/post/a-

Email therealkareneliot <A> gmail.com
Password karen<3eliot

email anne.utz <A> fiktion2-0.de
Passwort: Ina4b,4iwIn!

Email xasimx <A> yahoo.com
Password qweeer000

Sacha Toncovich
user: pazworlds
pass: <3:):<3

Pass Word
username: sachatoncovich
pass: :)))))))))):

Screen Shot (4.0
user: scrnsht@pokemail.net
pass: <<<:)333
Captura De Pantalla
user: captura@pokemail.net
pass: <<<:)333
Thumb Nail
username: perfectthumbnails
user: thumbnail@pokemail.net
pass: <<<:)333

Non-Artist Non-Art
user: non.artist.non.art@gmail.com
pass: thereisnoart
Person Ality
user: person.ality.37
pass: not4password

Willigang Wolfban Wunderspam
user: willigang@pokemail.net
pass: <<<:)333

Paz Sword (2.0)
lovewowhaha@gmail.com
user: pazsword
pass: <<<:)333
Toby Fran Wolfgang
user: tobywww
pass: :)))))))))):

TrojanHorse Exe
user: trojanhorse.exe.18
pass: :)))))))))):

Zuckerbergson
user: Zuckerbergsonn
pass: :)))))))))):

user: Facebuckson
pass: :)))))))))):
Suburbs Perfect (Perfect Suburbs)
perfectuser@pokemail.net
password: <<<:)333

username: Prefect E-Dentity
login: perfectus@pokemail.net
pazworlds: <<<:)333

Banmenot Missingusers
login: checkpointone@pokemail.com
passworldz: <<<:)333

Ortensio Lando
login: ortensiolando@gmail.com
password: lando888

Deus Deus
user: deus.deus.79677
pass: deusdeus987

Karen Eliot
user: therealkareneliot
pass: karen<3eliot

TimóTae Pinteh
user: Timoteo.Molotov
pass: N3071Msoundcloud

===========

Email dx <A> antisystemic.org
Password ddddxxxx

Email inqalab <A> antisystemic.org
Password 1nqalab

 

porn sites
===========

 

pornhub.com, redtube.com, youporn.com

uesername: taeateh
password: ta3ta3ta3

 

wikimedia
============
(commons/ wikipedia/ wikiversity/ wikidata)

Email dx <A> antisystemic.org
Password xxxddd

 

archive.org
===========
taeateh [A] tutanota.com
password: dashloss

表面web 2.0的控制由國家機構和公司(資產階級和共產黨本身)使用照片識別軟件來監視人員IRL以及在線 由算法還被公司用於預測和影響消費者行為和狀態與企業間諜之間沒有什麼區別。作為個人,我們受到鼓勵和控制,越來越多地通過社交媒體限制反應 限制影響力和友誼的圈子 – 通過強化角色裝甲,成為我們自己的陰謀,陰影和表徵。換句話說,社交媒體鼓勵個人關閉他們的頭腦。


身份是一種封閉形式的選擇性意識,基於文本和語言 對於民族主義意識(社交媒體)是至關重要的 由公司(美國或其他國家)控制企圖控制身份並將其限制在國家階段 因此控制可用於名稱中的字符和字體僅限於一種(國家)語言。 Facebook等網站嘗試通過提供有限的情緒調色板來限制情緒反應。

然而身份也是成熟的階級情境意識的基礎,但為了發展這一點,我們必須超越基於民族主義的資產階級身份的限制功能 不僅包括國家國家和語言 而且包括工業,工作,性別,種族,民族 以及任何限制性身份或性格定義。多用戶名/開放登錄項目旨在做到這一點。

首先,我們介入通用智力:通過共享身份,我們破壞對社交媒體的監控。標記自己為Tae Ateh(或其他共享身份)破壞了用於識別我們的面部識別算法。世界各地使用共享登錄的不同人員也破壞了用於預測和影響在線和離線行為的算法。

其次,我們表現為人類物種:通過分享我們的生產,我們,作為工人,變得能夠相互更加同情。通過共享身份,我們可以採取對方的方式,習慣,私密的想法,因此超越,以及分享我們自己。
第三,我們擴展為工人階級:我們可以通過非人類工人識別更多 即生產手段 即我們正在使用和正在使用的互聯網和技術 資本家使用的資本可以通過我們的勞動。數據歸類,數據彎曲和數據moshing像混亂作用於計算機的完美。因為身份是二進制和十六進制代碼,放在一起使現實。或至少是它的數字版本。景觀。從一個地方移動一些二進製文件一些10的想法是另一個,為了偽造身份,使它看起來混亂,就像一個從現代性的金蘋果。我們將向您展示數據彎曲的方法。

 

說明:
==========
1.
登錄帳戶
2.
更改個人資料圖片
3.
更改橫幅圖片
4.
檢查聊天消息並加入會話
5.
發布與你所在地區的民眾抗議和組織有關的新聞文章
標記自己在圖片 不只是人的照片
7.
更改名稱
8.
更改語言
9.
創建社交媒體或電子郵件並共享登錄詳細信息

筆記:
=====
當你遇到一個外語的配置文件,你就擺脫了國家語言的約束。你可以隨意或通過不同的語言:圖標,人口統計學,視覺語言,情感語言,插入,機會點擊鏈接。
當使用/發布文本時,請考慮使用翻譯網站將您的文本翻譯成不同的語言。這樣我們可以打擊民族意識,並將其擴展到集體情境階級意識
以下帳戶使用各種不同的開放名稱 包括Tae Ateh。我們選擇Tae Ateh,因為它是非性別或國家特定的。

我們建議您保留一個帳戶為私人使用。這是一個開放的渠道 向國家代理人,公司 像其他人一樣開放 – 而且對法西斯集團和其他新自由主義藝術家和活動家團體開放。


本文檔由(REVOLUTION一個只有一個成員的單人組織編寫:Tae Ateh – 一個多用戶名稱,在白俄羅斯由Asemic國際開始,但傳播到巴西,英國和其他地方,由Asim Butt,臭名昭著的人類學家穆斯林國家共產主義者Hurufi Lettrist無政府主義心理學家 從倫敦的每一個地下無政府主義者和硬左派組織驅逐出來 最近的是世界工業工人(IWW)的倫敦和劍橋分支,拒絕授予精神工人聯合會。然後,她共同創立了DAMTP,立陶宛的工業精神工作者和數據挖掘者國際聯盟,後來成為一個國際革命組織

  يتم الحفاظ على السيطرة على شبكة الإنترنت سطح 2.0 لاجهزة الدولة والشركات البرجوازية، وكذلك الحزب الشيوعي نفسه باستخدام برنامج التعرف على الصور لمراقبة الناس IRL فضلا عن خط reتستخدم خوارزميات أيضا من قبل الشركات للتنبؤ والنفوذ المستهلك السلوك، وهناك فارق كبير بين الدولة والتجسس على أسرار الشركات. كأفراد يشجعنا والتحكم في الحد من ردود أكثر وأكثر من خلال وسائل الاعلام الاجتماعية الحد من دوائر النفوذ والصداقات لتصلب الدروع الشخصية وتصبح الكليشيهات، والظلال وتمثيل أنفسنا. وبعبارة أخرى تشجع وسائل الاعلام الاجتماعية الأفراد لإغلاق عقولهم.
الهوية، وهو شكل مغلق الوعي الانتقائي، ويستند على النص واللغة وضروري للوعي القومي وسائل الاعلام الاجتماعية كما تسيطر عليها الشركات (الولايات المتحدة أو غيرها) في محاولة للسيطرة على الهوية والحد منها في مرحلة وطنية وبالتالي السيطرة من الشخصيات والخطوط المتاحة للاستخدام في اسم يقتصر على لغة واحدة فقط (وطنية). مواقع مثل الفيسبوك في محاولة للحد أيضا الاستجابات العاطفية من خلال توفير لوحة العاطفي يقتصر على الرد.
لكن الهوية ولكن أيضا أساسا للوعي الظرفية ناضجة الطبقة ولكن من أجل تطوير هذا يجب أن نذهب أبعد من وظيفة الحد من هوية البرجوازية مبنية على القوميات وهذا لا يشمل فقط الدول بلد واللغة ولكن أيضا صناعة، وفرص العمل، الجنس أو العرق أو الانتماء العرقي وأي هوية أو شخصية تعريف الحد. تم تصميم المشروع لتسجيل الدخول المتعدد اسم المستخدم / فتح لفعل هذا.

أولا نتدخل على الفكر العام: من خلال تبادل الهويات نعطل مراقبة وسائل الاعلام الاجتماعية. وضع علامات على أنفسنا تاي عطوة (أو غيرها من الهويات المشتركة) يعطل خوارزميات التعرف على الوجه تستخدم لتحديد لنا. مختلف الناس في جميع أنحاء العالم باستخدام دخول المشترك يعطل أيضا الخوارزميات المستخدمة للتنبؤ السلوك والتأثير سواء على الانترنت وغير متصل.
ثانيا نظهر مثل الأنواع إنسان: من خلال تبادل انتاجنا نحن، والعمال، وتصبح قادرة على التعاطف أكثر مع بعضها البعض. من خلال تبادل الهوية التي نستطيع القيام بها كل الخلق الآخرين، والعادات، والأفكار الحميمة، وبالتالي تجاوز فضلا عن تبادل منطقتنا.
ثالثا نوسع باسم الطبقة العاملة: يمكننا التعرف أكثر مع العمال غير البشرية أي وسائل الإنتاج نفسها وهي شبكة الإنترنت والتكنولوجيا التي نستخدمها ويتم استخدامه لاستخدام لنا رأس المال المستخدم من قبل الرأسماليين يمكن استعادته عن طريق العمل لدينا. Datamoshing، البيانات الانحناء والبيانات moshing مثل الفوضى المؤثرة على الكمال من أجهزة الكمبيوتر. منذ الهويات هي ثنائيات ورموز هيكس، التي وضعت معا يجعل الواقع. أو على الأقل نسخة رقمية من ذلك. المشهد. فكرة نقل بعض الثنائيات بعض 1S و 0s من مكان واحد تفعل شيئا آخر، وذلك لخلل الهوية وجعلها تبدو الفوضى، هو مثل التفاح الذهبي من الحداثة. ونحن في طريقنا لتظهر لك سبل البيانات الانحناء.

تعليمات:
==========
1.
تسجيل الدخول إلى حسابك
2.
تغيير صورة الملف الشخصي
3.
تغيير الصورة شعار
4.
تحقق من رسائل الدردشة والانضمام إلى المحادثات
5.
نشر مقالات الأخبار المتعلقة الاحتجاج الشعبي وتنظيم في منطقتك
6.
علامة نفسك في الصور وليس فقط الصور من الناس
7.
تغيير اسم
8.
تغيير اللغة
9.
إنشاء وسائل الإعلام الاجتماعية أو البريد الإلكتروني وتبادل تفاصيل تسجيل الدخول

 

ملاحظات:
=====
عندما واجهت لمحة بلغة أجنبية تكونوا أحرارا من قيود اللغة الوطنية. أنت حر في الضغط على روابط عشوائيا أو من خلال لغة مختلفة: الرموز، hypergraphics، اللغة البصرية، واللغة العاطفية، intutition، فرصة.
عند استخدام / النص بالإرسال يرجى النظر في استخدام الموقع ترجمة لترجمة النص إلى لغة مختلفة. بهذه الطريقة يمكننا مكافحة الوعي الوطني وتوسيعه إلى الوعي الطبقي الظرفية الجماعي
استخدام الحسابات التالية مسميات مختلفة مفتوحة المختلفة بما في ذلك تاي عطوة. نختار تاي عطوة لأنه غير الجنس أو أمة معينة.
نحن نوصي على الحفاظ على حساب واحد للاستخدام الخاص. هذه هي قناة مفتوحة مفتوح لموظفي الدولة والشركات وكذلك الآخرين ولكن أيضا لجماعات الفاشية وغيرها من الفنانة والناشطة الجماعات الليبرالية الجديدة.
تتم كتابة هذه الوثيقة من قبل العمال الإنجابية وعشاق الصناعية الاتحاد (الثورة) – وهي منظمة يديرها شخص واحد مع عضو واحد فقط: تاي عطوة اسم متعددة العضو بدأ في روسيا البيضاء من قبل Asemic الدولية، ولكنها امتدت إلى البرازيل وإنجلترا وخارجها، و يتم استخدامه هنا عاصم بوت، وocculist سيئة السمعة مسلم الوطنية الشيوعي Hurufi Lettrist الفوضوي psychogeographer – طرد من كل الفوضوية تحت الأرض وتنظيم اليسرى الصعبة في لندن وآخرها فروع في لندن وكامبريدج للعمال العالم الصناعيين (IWW) الذين رفضوا لاستئجار نقابة عمال نفسية. إنها ثم شارك في تأسيس DAMTP الاتحاد الدولي للعمال نفسية الصناعية والتعدين البيانات في ليتوانيا التي أصبحت منذ ذلك الحين وهي منظمة ثورية الدولية مع محاور في الصين، سوازيلاند، وهايتي، وبنغلاديش، وبيلاروس، وأوروغواي وخارجها
اتصل بي:

 

 

контроль поверхности полотна 2.0 поддерживается государственными органами и корпорациями – буржуазии, а также Коммунистическую самой партии – с помощью программного обеспечения для распознавания фотографии для мониторинга людей IRL, а также на линии – алгоритмы также используются корпорациями для прогнозирования и влияния потребителей поведение и есть небольшое различие между государством и корпоративного шпионажа. Как люди мы воодушевлены и контролируются в ограничение ответы все больше и больше через социальные медиа – ограничение кругов влияния и дружбой – закалкой характера броню и становятся штампами, тени и представления себя. Другими словами социальных медиа поощряет лиц, чтобы закрыть их умы.

личность, замкнутая форма избирательного сознания, основан на тексте и языке – и имеет важное значение для националистического сознания – социальные медиа – как управляемую корпораций (США или другие) пытаются контролировать идентичность и ограничить его на национальном этапе – отсюда и контроль символов и шрифтов, доступных для использования в имени ограничивается только одной (национальном) языке. сайты, как Facebook пытаются также ограничить эмоциональные реакции, предоставляя ограниченную эмоциональную палитру, чтобы ответить с.

Однако идентичность, но и основой для зрелого ситуационного сознания класса, но для того, чтобы развить это, мы должны выходить за рамки предельной функции буржуазной идентичности, построенной на национализмов – и что включает в себя не только государства страны и языка, – но и промышленность, работа, пола, расы, этнической принадлежности – и любое ограничение личности или характер определения. файле / открытый проект Логин множественного имя пользователя предназначено, чтобы сделать именно это.

Во-первых, мы вмешиваемся по общему интеллекту: путем обмена идентичностей мы нарушить наблюдение социальных медиа. мечения себя как Тэ ATEH (или других общих идентичностей) нарушает алгоритмы распознавания лица, используемые для идентификации нас. Разные люди по всему миру, используя общий логин также нарушает алгоритмы, используемые для прогнозирования и влияния на поведение как онлайн, так и в автономном режиме.


Во-вторых мы проявляем как вид Человека: путем обмена нашего производства мы, как рабочие, становятся способными к сопереживанию более друг с другом. путем обмена идентичности мы можем взять на себя друг друга манеры, привычки, интимных мыслей и, следовательно, выходят за рамки, а также поделиться нашим собственным.

В-третьих, мы расшириться рабочего класса: мы можем идентифицировать больше с нечеловеческих работников – то есть средства самого производства, а именно – Интернет и технологии, которые мы используем, и используется для того чтобы использовать нас – капитал используется капиталистами могут быть возвращены через наш труд. Datamoshing, данные гибки и слэм данные, как хаос, действующей на совершенствование компьютеров. Так как тождества Бинарники и Hex коды, которые вместе взятые делает реальность. Или, по крайней мере, цифровую версию. Зрелище. Идея переместить некоторые двоичные файлы некоторые 1s и 0s из одного места делают другое, чтобы глюк идентичность и делает его выглядеть хаотично, подобно Golden Apple от современности. Мы собираемся показать вам способы гибки данных.

инструкции:
==========
1. Войти в учетной записи
2. изменить изображение профиля
3. изменить изображение баннера
4. Проверьте сообщения чата и присоединиться к разговоры
5. пост новости статьи, касающиеся народного протеста и организации в вашем регионе
6. Отметьте себя на фотографии – не только фотографии людей
7. изменить название
8. изменить язык
9. создать социальные медиа или электронную почту и обмениваться данные для входа

заметки:
=====
когда вы сталкиваетесь профиль на иностранном языке, вы освобождаетесь от ограничений национального языка. вы можете нажимать на ссылки в произвольном порядке или через другой язык: иконки, hypergraphics, визуальный язык, эмоциональный язык, intutition, шанс.
при использовании / проводки текст, пожалуйста, рассмотрите возможность использования перевода сайта, чтобы перевести текст на другой язык. Таким образом, мы можем бороться против национального сознания и расширить его коллективного ситуационного классового сознания
следующие учетные записи используют различные различные открытые имена – в том числе Tae ATEH. мы выбираем Tae ATEH, потому что это не пол или нации конкретно.
мы рекомендуем вам сохранить одну учетную запись для личного пользования. это открытый канал – открыт для государственных агентов, корпорации – как и другие, – но и фашистских групп и других неолиберальных художника и группы активистов.
Этот документ написан (РЕВОЛЮЦИИ) – один человек организации только с одним участником: Тэ ATEH – имя многопользовательских началось в Беларуси по асемическое International, но распространилась на Бразилию, Англию и за ее пределами, так как она используется здесь Асим Butt, пресловутая окулистом мусульманская Национальный коммунист хуруфизм Lettrist анархист psychogeographer – исключен из каждого подземного анархистских и твердой левой организации в Лондоне – совсем недавно филиалы в Лондоне и Кембридже Индустриальные рабочие мира (ИРМ), отказавшихся зафрахтовать психические работники профсоюза , Затем она соучреждения DAMTP Международного союза промышленных рабочих и психических данных шахтеров в Литве, которая с тех пор стала международная революционная организация

 

theory
=========

the control of the surface web 2.0 is maintained by state agencies and corporations – the bourgeoisie and also the Communist Party itself – using photo recognition software to monitor people IRL as well as on line – the algorithms are also used by corporations to predict and influence consumer behaviour and there is little difference between state and corporate espionage. As individuals we are encouraged and controlled into limiting responses more and more through social media – limiting circles of influence and friendships – by hardening character armour and becoming cliches, shadows and representations of ourselves. in other words social media encourages individuals to close their minds.

identity, a closed form of selective consciousness, is based on text and language – and is essential for nationalist consciousness – social media – as controlled by corporations (US or other) try to control identity and limit it at a national stage – hence the control of characters and fonts available to use in a name is limited to only one (natinal) language. sites like facebook try to also limit emotional responses by providing a limited emotional palette to respond with

however identity is but also a basis for a mature situational consciousness of class but in order to develop this we must go beond the limiting function of  bourgeois identity built on nationalisms – and that includes not just country states and language – but also industry, job, gender, race, ethnicity – and any limiting identity or character definition. the multiple user name / open login project is designed to do just this.

 

Firstly we intervene on the General Intellect: by sharing identities we disrupt the surveillance of social media. tagging ourselves as Tae Ateh (or other shared identities) disrupts the facial recognition algorithms used to identify us. Different people around the world using a shared login also disrupts the algorithms used to predict and influence behaviour both online and offline.

Secondly we manifest as the Human Species Being: by sharing our production we, as workers, become able to empathise more with each other. by sharing identity we can take on each others manners, habits, intimate thoughts and therefore transcend as well as share our own.

Thirdly we expand as the Working Class: we can identify more with non-human workers – ie the means of production itself – namely the internet and technology that we are using and is being used to use us – capital used by capitalists can be reclaimed through our labour. Datamoshing, data bending and data moshing like the chaos acting on the perfektion of the computers. Since identities are Binaries and Hex codes, that put together makes reality. Or at least a digital version of it. The spectacle. The idea of moving some binaries some 1s and 0s from one place do another, in order to glitch identity and making it look chaotic, is like a Golden Apple from modernity. We’re going to show you the ways of data bending.

 

instructions:
==========
1. login to account
2. change the profile pic
3. change the banner pic
4. check the chat mesages and join the conversations
5. post news articles relating to popular protest and organising in your area
6. tag yourself in pictures – not only pictures of people
7. change the name

8. change the language

9. create a social media or email and share the login details

 

 

notes:

=====

when you encounter a profile in a foreign language you are freed from the constraints of national language. you are free to click links at random or through a different language: icons, hypergraphics, visual language, emotional language, intutition, chance.
when using / posting text please consider using translation site to translate your text into a different language. this way we can combat national consciousness and expand it to collective situational class consciousness

the following accounts use various different open names – including Tae Ateh. we choose Tae Ateh because it is non gender or nation specific.

we recomend you keep one account for private use. this is an open channel – open to state agents, corporations – as are others – but also to fascist groups and other neo-liberal artist and activist groups.

REVOLUTION

ÐعŲMп ال (DAMTP) DaðŲ Miners психический 工人委 ال

 

 

نحن أنا تاي عطوة. تصبح تاي عطوة

 

ताए आहताए

泰一啊泰

тая атэх

تهئ عتهئ

タイあタイ

 

 

perfect users:

https://docs.google.com/document/d/1UxNJbWlU8Ga-A9Ibyw37fuA3xcJwzwvdwdAp-h5sTyE/edit?ts=583748e2#

https://bblab.space/p/perfectusers

https://www.facebook.com/groups/perfectusers/files/

 

Burn British Psychogeography: Terminalia Festival 2017

 

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Public book burning of contemporary psychogeographical texts – against gentrificational and recuperational psychogeography on Castle Hill in Cambridge, the oldest site of Cambridge and key to the original Roman settlement – and of the legendary Cambridge ley-line. Fuel to the fire will be the double cross of the union and classics of contemporary BRITISH recuperational psychogeography of gentrification such as Sinclair, Self etc… The ashes will then be scattered through Cambridge on the derive that follows out descent from the ancient mound….

Midday, 23rd February 2017
Castle Mound, Cambridge

Part of:
Terminalia – Festival of Psychogeography
Thurs 23 Feburary 2017
A one day festival of psychogeography on 23rd Feburary 2017 with a number of free walks and events in Leeds and beyond.
http://terminaliafestival.org

Action by Cambridge Lettrist And Situationist Society – a one-person organisation with only one member: Tae Ateh – a Multiple-User name begun in Belarus by the Asemic International but spread to Brazil, England and beyond, It is being used here by Asim Butt, the notorious occulist Muslim National Communist Hurufi Lettrist Anarchist psychogeographer – expelled from every underground anarchist and hard left organisation in London – most recently the London and Cambridge branches of the Industrial Workers of the World (IWW) who refused to charter a psychic workers union. She then co-founding DAMTP the international union of industrial psychic workers and data miners in Lithuania which has since become an international revolutionary organisation with hubs in China, Swaziland, Haiti, Bangladesh, Belarus, Uruguay and beyond…

ÐعM提п Vs G4S

 

As part of the international STOP Mass Deportation Charter Flights! 2wks of action we are targetting G4S in Cambridge

1pm
Friday 20th January 2017
G4S Office, Henley Road, Cambridge

 

G4S run prisons and detention centres in the uk and across the world. They organise deportation and torture of people held and deported without trial in this country and abroad. They collude with this government and those abroad who also do the same.

Rather than security they deal in insecurity and misery for the majority of people in the world. G4S and their workers are actively producing the destruction of people of livelihoods of families and communities. They are destroying the physical, productive, reproductive and psychic power of the working class

We call on all g4s employees to take over control of the company
to set up Reproductive Anti-destructive Workers Councils

 

Full list of actions taking place here:
Weeks of Action January 2017

Previous action against G4S – in Alytus 2015:
https://www.alytusbiennial.com/2-uncategorised/699-alytaus-bienal%C4%97s-akcija-prie%C5%A1-g4s-g4s-action-statement.html

ÐعM提п DعðŲ Miners психический 工人委 (International Industrial Union of Psychic Workers and Data Miners)

“Organic” potencies of asemic writing and opensource identity metagraphy

Tae Ateh | “Organic” potencies of asemic writing

Translated from Russian by Alina Liakhovskaya

The artistic system of coordinates did not always imply a presence of two interpretational levels of “sacred” and “profane”, where the former represents the pole of an “educated recipient” while the latter stands for the pole of “naive” recipient. The foundation for this division appeared in the process of disengagement of art and life in the very infancy of humankind as a result of art’s displacement into a separate aesthetical sphere functioning according to its own laws and rules. The codes used in funerary wailing, ritual dances, rock paintings have a more universal nature than modern semiotic systems, as they eliminated the possibility of their individual treatment and consequently couldn’t generate an endless chain of interpretations. These codes were a part of collective body of society, where (in a certain ideal sense) there was still no existing phenomenon of the Other[1]; moreover, in terms of culture they were not separated from nature and its cycles. The way people used these codes was as much organic as breathing. Art was a kind of body extension, a gesture, and we notice this longing for gestureness and fleshliness not only in the historical avant-garde at the beginning of the 20th century, but also in the contemporary post-literature phenomenon of asemic writing.

The specific nature of the asemic code consists in the unfixed and consequently lacking any particular meaning nature of its anti-sign which resolves the art’s fundamental opposition of the Author and the recipient (the Other), where both use asemic code as a kind of “black box” having no idea, what is inside it and thus unable to claim the “rightness” of interpretation. Creation and interpretation are joined together into a single act, effectively stopping the discourse from division into totalitarian-sacred-author’s and accessory-secular-reader’s layers. But does this act actually address the challenge of the reintegration of art and life and their pragmatic confluence? Does it help to attain the ideal of equating writing[2] and gesture? For this purpose, as we believe, the asemic workers should galvanize some currently unclearly articulated features of the anti-sign.

Practices closest to asemic writing, such as Lettrist hypergraphy and Hylaea’s Cubo-Futurism (Russian Gileya), paid close attention to the theory of texture and background, applying their inventions to the materials traditional for text (paper, wood, stone). The space of a sheet, previously neutral in literature, merged now with a graphically enriched letter creating a single canvas. Still, it couldn’t go without mentioning that the leading concept was still that of a book and therefore of a word (rather than that of a picture or of a brush stroke!). The subsequent, often theatricalized, vocalizing of the text (the language’s transition into speech) actionised it, representing the avant-gard idea of synthesis of different art forms.

The avant-garde’s pragmatic intention (implemented among other things via this synthesis) can be in a certain sense regarded as a desire for the archaic “merging” with a word as a primitivistic notion of the interchangeability of language and reality, and that of code and givenness. The translation of a word into a gesture and therefore into reality had been achieved (when referring to “institutional” Russian avant-garde of 1910-1930-s not least due to the corresponding nature of political and poetical ideology), however, the avant-garde project intermitted, and the Text, now released from the boundaries of Culture and forced into the territory of action, was deprived of its pragmatic potential. Text reentered the sphere of art and, given the triumph of conceptualism and post-structuralism, became eventually the evident mark of the sphere.

That is why the development and renewal of avant-gardist approaches by asemic writers appear to be hardly productive from our viewpoint. While such techniques as combining anti-signs with abstract painting, their applying to architectural objects, working with collages, contain, as it may seem, some pragmatic intention, they can’t have such revolutionary potential as their genre’s predecessors due to all objective historical reasons. Surmounting of the Text and “art’s moving onto the streets”, the primeval unity of the Author and the Other in the act of creation, cannot be achieved by changing the properties of space, rather only by changing the sign (anti-sign) itself. It’s necessary to “steal” it from Aristotle’s paradigm of mimesis, from associative field “literature-art-secondary reflection[3]”, to actualize it, to put it inside the context of other material objects. In other words to return it to Class. Through Time.

Hypergraphical experiments of Isou based on the Test of Forms: Abstract Realist and Lettrist but the discovery since then of Asemic Writing in fact opens a new formal front: so we can list the forms as – in the following non-linear order (ie the first is the last and the series repeats):

Asemic Writing
Lettrism (Hypergraphy/ Super Writing)
Metagraphy (Collage/ Post Writing)
Realism/ Spacial representation (3 dimensional painting)
Cubism (4 dimensional painting)
Abstraction (Plastic Geometry/4 Dimensional Painting )

The 6 forms can be thought of as representing Time (abstract and cubism), Space (realism and post writing) and Class (Super Writing and Asemic Writing).

When asemic writing can explicate deep layers of pan-human working class (including prelinguistic) consciousness, it should also carry some other features of our kind, not only mental but also physical: time duration, mortality, inseparability from environment. These “organic” potencies, as it appears to us, can be found in an asemic installation, based on the concepts of “a found object” and “an observer”.

And so the Open Login Experiment on Facebook are designed to utilise all 6 of the above forms: The anti-sign here is dynamized by the nature itself; the environment attributes to the sign its actionist character, reintroduces it into its own coordinate system. While creating such works, an artist can “imitate” physical processes, he can create compositions using volatile fume, burning objects, degraded materials to invite “reality” itself to be a co-author, to move out of galleries and, when possible, to negate capitalisation and the vanity of authorship, posting the photos of his own works on the internet with such comments as “look what I’ve found”.

[This theory has its foundation in various ruins, located far away from main highways well-trodden by the men. These ruins are swallowed by the greenery to the point when they seem to be intertwined with the surrounding environment: . They burst upon the eye of a passer-by in its full poetic splendour, free from the presence of a master who created them; in reality being a mere carcass for vines and birds’ nests. Abandonment and anti-utilitarianiasm, shallow protrusion from the environment distinguishes them, polish up their image in the same way as the wave polishes a piece of rock fallen into the sea. But it’s time first and foremost that makes them look this way, as all these attributes (that captivate the observer), expressed visually and tactually, are obtained only after the man has left these objects to the tender mercy of wind, rains and lizards.

In this context, the found asemicised copy and pasted – compressed dashloss- datamosh – glitch – the natural processes of the digital environment – of the entropic process of ruin and of the non human non animal life of the machine – object turns into an object that has been deliberately left by the workers in the natural environment, given that s/he does not document it using media and does not specify its whereabouts (the distinction here – of the media and the documentation of the media – ie the metamedia. NSA/ GCHQ government and corporate spies/ fb eyes – stealing or claiming data and production – cataloguing and archiving. This way the worker turns an act of creation – and act of destruction , or surveillence, into a form of meditation, or into a magic ritual and (in a certain sense), being deprived of her audience (refusing the role of artist and of audience, of owner and owned), she ceases to be an artist altogether. The object starts to live its own life, gradually becoming a part of landscape, growing into the “background and texture” and only at the moment of its sudden discovery (which may not happen at all) it’s being redefined, though only partly, as its author is anonymous and thus “artificial”.]

In the web3.0 web of things this metamedia is instrumentalised to re animate nature and beyond. The inanimate object is animated. But capitalism remains the semiotic operator. Organised situnion of data miners and psychic workers therefore depends on the disorganising effect of asemic action. The divisions between the sacred and profane are abolished with the mature dictatorship of the proletariat whereby even the division between human and machine is gone. The working class is universalised not as identity but it’s erasure. Social networking and Web 2.0 that promotes a bourgeois notion of identity and separation between user interface and production is eradicated just as that between nature and worker in asemic works found in so called natural environments. The obvious point is that in the urbanised environment the heavy administration and policing of workers production inhibits this and can only be overcome by concerted organisation

[1] Mircea Eliade points out this trait as one of the most common for traditional societies – “the lack of individual thinking”. [Mircea Eliade: Myths, Dreams, and Mysteries: The Encounter Between Contemporary Faiths and Archaic Realities, 1957]

[2] You can get acquainted with our stance on the nature of asemic writing here: http://scriptjr.nl/four-questions-about-asemic-writing-11-ekaterina-samigulina/3429#.WDR17LndXgw

[3] According to Hegel

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DAMTP 16 Out Now

DAMTP #16: Become Tae Ateh Dead Workers Day Fall Issue. 8PC [2016 vulg.] expands quantum letrist cannibalism of core topics starting with the decolonizing of the psychogeography, reflections on 3SF London festival, then following with materialist spirituality, features of structural racism and ending on practical advices how to become Tae Ateh – http://antisystemic.org/SW/DAMTP16.Diwali9PC.pdf

to submit images texts etc for the next issue / get involved with design and distribution or  for copies of the printed newspaper contact info@alytusbiennial.com / dx@antisystemic.org

Great Yarmouth Trip by NXTPA

a1026

Great Yarmouth Trip:

On the 30thApril 8AP, representatives from the APTXN, NXTPA, FIASCo and the LPA Historification Committee convened at the road sign beneath West Ferry Gore (site of the Trivium reclaiming three-sided football match, held as part of the FQFFEF, 8AP). West Ferry Gore—occasionally referred to as West Ferry “Circus”—is a site of some significance. A Gore is the ancient name for a three-sided football pitch, originally to be found at places where three roads met. The name has a long etymology founded in medieval masonic pedagogy: In the schools of the medieval masons there was a distinction between the Trivium and the Quadrivium. The Trivium, which was generally concerned with logic, grammar and rhetoric, was at one time taught through games of three-sided football, with different teams applying different rules according to how they were assigned. This proved so popular that it became hard to persuade people to learn the more serious Quadrivium, which consisted of arithmetic, geometry, music, and astronomy. Three-sided football was thus suppressed and the Trivium was taught in a way that was indistinguishable from the Quadrivium. It is indeed for this reason that Association Football was later formerly codified by the freemasons of London—a diversion to lead the labouring classes away from the true origins of the game, replacing it with a version deriving from the masonic variants passed down through various public schools. It is no coincidence therefore, that this formal codification occurred at the Freemasons Tavern on Great Queen Street (adjacent to the Grand Lodge), on the 26 October 1863.

When famed media theorist Marshall McLuhan wrote The Classical Trivium: The Place of Thomas Nashe in the Learning of His Time as his PhD thesis, he discovered in the course of his research that one of key venues at which these early games of three-sided football were held was West Ferry Gore, on the Isle of Dogs, later immortalised by Thomas Nashe in the play of the same name. The Isle of Dogs, Nashe’s great, lost play was in fact not lost at all, but was actively suppressed, precisely because it reintroduced three-sided football into Elizabethan London. It was published with the intent of sabotaging John Dee’s programme to construct the British Empire on the principles of the Quadrivium, through his magical understanding of Euclid anchored exactly on the Isle of Dogs and the Omphalos he endeavoured to establish there. This could not be tolerated by the British Crown.

This was the reason for the Trivium reclaiming three-sided football match our operatives performed in an abandoned car park deep beneath West Ferry Gore back in March. Previously, on 21st November 8 PC (2015 vulg), Strategic Optimism Football club in conjunction with the Luther Blissett Deptford League, started to exorcise the space-time Imperial anchor at the Isle of Dogs Omphalos: where the Northwest Passage and the “Linea Regium” (or “Royal Ley”) leylines cross. This was only the start. The aforementioned Northwest Passage line also includes the West Ferry Gore as well, further connecting Glasgow and Cimetière du Père-Lachaise, Paris. The exorcism of the Omphalos and later West Ferry Gore was thus part of a wider a time loop: the first known 3SF game, played on 28th May, 1993 in Glasgow connects to Cimetière du Père-Lachaise in Paris through dead quantum lettrist (psychic worker) Isidore Isou (died on 28th July, 2007), so ending the Age of Divinity. The reason for this is obviously that each Three-Sided Football game is the same game – it folds time back on itself, to concentrate our activity in space and class by repeating it in time. It was for this reason, therefore, that we journeyed to the Gore in March, in a further stage of unbinding this line.

During the March game, we attempted an unbinding of the Gore by circling it in a counter-clock-wise rotation (reproductional work or labour). West Ferry Circus is surrounded by the clock-wise rotation traffic filled-up by corporate vehicles, guarded by security forces (destructive workers). Chased away by the security guards, who were eager to prevent our crucial mission, we were however undeterred. Instead we gained clandestine access to the lower levels of the Gore. There, as stated, in an abandoned car park three levels below the surface, we sought to unleash a counter movement, through the playing of thee-sided football. Above, the Gore secretly obtains its extra psychic powers from the binding actions of the supporting rotational traffic. Here the Trivium of the original Gore has been built over by a masonic Octatgon, placed within concentric circles, forming the apex of a gigantic sundial, aligned to the shadow cast from the Canary Wharf pyramid on a specific, fateful day of the year.

That game was a qualified success, however, our mission was far from over. Following the clues in Nashe’s surviving work, our operatives were first alerted to the possibility that his famous “lost play” in fact remained intact, and had simply been hidden from the masonic authorities. Furthermore, evidence suggests this fact was known to an old mole in the Tower Hamlets highways department. Following the suppression of his play, and fearing for his life, Nashe fled to Great Yarmouth, on the East Anglian coast, then a wealthy port. Through our psychogeographical investigations, it came to our attention that a particular road sign, situated precisely beneath West Ferry Gore on the Isle of Dogs, indicates that the aforementioned Isle can be accessed via the A1026 (the sign then inexplicably displays a masonic triangle, as if its cryptic message were unclear). However, the Isle of Dogs (the place), can in fact be accessed by the A1206. The A1026, on the otherhand, was formerly a road running through Great Yarmouth (now the B1141 ring road), right past the town’s famed North West Tower, to which Nashe fled! The clues began to fall into place: Firstly, Situationist references to the “Northwest Passage” clearly did not refer to de Quincey after all, but to Nashe’s hidden play. Further, someone in the Tower Hamlets highways department was aware of this and was signalling, via the sign, that The Isle of Dogs (the play), could be found by following the A1026!

With this in mind, we convened at the fateful road sign and set off for the town Nashe called the ‘Immanent Metropolis of the Red Fish’. Was this another clue? A red herring perhaps? We have yet to determine what further permutations our adventures set in motion, although sadly it seems we were unable locate the whereabouts of Nashe’s “lost play” – this time. This, despite extensive inquiries behind the bar at the local pub The White Swan. But then again, if we did find it, perhaps we wouldn’t be able to speak openly about it here, for fear of meeting with similar repression from the geometic forces ranged against us.

We did, however, discover a mysterious mural in an underpass in Great Yarmouth, depicting a three-sided football pitch in the exact style of that constructed at West Ferry Gore. The mural was consequently détourned to make the providence of this illustration more readily apparent. Further, we subsequently set about playing an extensive game of triolectical football in the shadow of the North West Tower, until all the balls ended up in the river. We then enjoyed a few ales, a ramble on the beach and dreamtime on the train home. The adventure continues.

New Cross Psychogeographical Association

NXTPA is currently enjoying a hiatus in operations, following the successful completion of the second series of its newsletter and phase two of its five-year plan. Operations will resume shortly.